This page gives the third item its own reason to exist. It covers a separate angle, includes concrete context, and avoids repeating the same promise in different words. The result should feel like a planned article, project, review, or offer.
Medium format negatives from a mill that closed in 1983. The prints emphasise peeling paint, rusted machinery and the quiet light that still falls through broken roof slates.
Two years of walking the back streets, recording repetitive terraced rhythms and cast-iron details. Each image is printed on fibre-based paper with full archival washing.
A documented look at the gelatin silver process — paper selection, development chemistry and the careful dodging that gives each edition its tonal range.
An essay on the spaces between buildings — underpasses, service yards and empty lots. The work questions how public land holds memory after industry leaves.